(65) (1) This section applies to sculptures and to works of artistic craftsmanship of the kind referred to in paragraph (c) of the definition of artistic work in section 10. (2) The copyright in a work to which this section applies that is situated, otherwise than temporarily, in a public place, or in premises open to the public, is not infringed by the making of a painting, drawing, engraving or photograph of the work or by the inclusion of the work in a cinematograph film or in a television broadcast.
(66) The copyright in a building or a model of a building is not infringed by the making of a [reproduction].
(68) The copyright in an artistic work is not infringed by the publication of a [reproduction] if, by virtue of section 65, section 66 or section 67, the making of […] did not constitute an infringement of the copyright.
This freedom applies to two-dimensional works only if they are considered "artistic works." See COM:CRT/Australia#FOP for more information.
This work might not be available under a free license in the United States because it is based on an artwork or sculpture that may be protected by copyright under U.S. law. (Commons is hosted in the United States and as such, U.S. law is applicable.)
In the source country of the artwork or sculpture, taking photographs of such works permanently located in a public place does not generally infringe on their copyright, under a principle known as "freedom of panorama".
In U.S. law, there is no freedom of panorama for artwork or sculptures, and under the choice-of-law principle lex loci protectionis, U.S. courts might apply U.S. freedom of panorama standards to this work, rather than the standards of the source country. However, in practice, it is unsettled whether and how this approach would be applied in real-world U.S. legal cases involving freedom of panorama elements.
The current policy on Commons is to accept photos of artwork and sculptures that are covered by freedom of panorama in their source country. This policy may change in the future, depending on the outcome of community discussions and new case law.
This is not a valid license tag on Commons; this file must be usable under freedom of panorama in its source country or it will be deleted.
da dijelite – da kopirate, distributirate i prenosite djelo
da remiksate – da prilagodite djelo
Pod sljedećim uslovima:
pripisivanje – Morate pripisati odgovarajuće autorske zasluge, osigurati link ka licenci i naznačiti jesu li napravljene izmjene. To možete uraditi na bilo koji razumni način, ali ne tako da se sugerira da davalac licence odobrava Vas ili Vašu upotrebu njegovog djela.
dijeli pod istim uslovima – Ako mijenjate, transformišete ili nadograđujete ovaj materijal, morate ga objaviti i distribuirati samo pod istom ili sličnom licencom poput ove.
Ova datoteka sadržava dodatne podatke koje je vjerovatno dodala digitalna kamera ili skener u procesu snimanja, odnosno digitalizacije. Ako je datoteka mijenjana, podaci možda nisu u skladu sa stvarnim stanjem.
Proizvođač kamere
Canon
Model kamere
Canon EOS 40D
Autor
Eva Rinaldi
Vrijeme izlaganja (ekspozicije)
1/250 sekundi (0,004)
F broj
f/2,8
Rejting ISO brzine
400
Datum i vrijeme generisanja podataka
11:00, 6 juni 2012
Fokusna dužina objektiva
24 mm
Širina
2.592 px
Visina
3.888 px
Bita po komponenti
8
8
8
Sastav piksela
RGB
Orjentacija
Normalna
Broj komponenti
3
Horizontalna rezolucija
72 dpi
Vertikalna rezolucija
72 dpi
Korišteni softver
Adobe Photoshop CS5 Windows
Vrijeme i datum promjene datoteke
11:03, 6 juni 2012
Pozicioniranje Y i C
Uporedo
Program ekspozicije
Ručno
Exif verzija
2.21
Datum i vrijeme digitalizacije
11:00, 6 juni 2012
Značenje svake komponente
Y
Cb
Cr
ne postoji
Brzina APEX okidača
8
Otvor blende
3
Kompozicija ekspozicije
0
Najveći broj otvora blende
3 APEX (f/2,83)
Udaljenost objekta
3,19 metara
Način mjerenja
Šema
Blijesak
Blijesak radio, obavezan rad blijeska
Datum i vrijeme u dijelovima sekunde
03
Originalno vrijeme i datum u dijelovima sekunde
03
Datum i vrijeme digitalizacije u dijelovima sekunde